Uncategorized pages
Showing below up to 50 results in range #151 to #200.
- major key tonality (Q225)
- thru composed melodic style (Q226)
- acoustic rhythm guitars (Q227)
- marvin gaye (Q228)
- 808 (Q229)
- weissenborn (Q23)
- morricone (Q230)
- delay (Q231)
- deep voice (Q232)
- sistrum (Q233)
- classic soul (Q234)
- plainchant (Q235)
- bridge (Q236)
- demanding vocal performances (Q237)
- triple note feel (Q238)
- dark piano (Q239)
- splash cymbals (Q24)
- strophic (Q240)
- double-tracked vocals (Q241)
- piano percussion (Q242)
- bright piano (Q243)
- tonal shifts (Q244)
- radiant chorus (Q245)
- unusual scales (Q246)
- a subtle use of vocal harmony (Q247)
- mixed acoustic and electric instrumentation (Q248)
- new orleans jazz (Q249)
- noise component (Q25)
- harpsichord (Q250)
- anthem (Q251)
- basic rock song structures (Q252)
- repetitive melodic phrasing (Q253)
- minor key tonality (Q254)
- basso continuo (Q255)
- grunge (Q256)
- polka (Q257)
- louis armstrong (Q258)
- piccolo (Q259)
- the fool (Q26)
- oud (Q260)
- solos (Q261)
- a vocal-centric aesthetic (Q262)
- demanding instrumental part writing (Q263)
- varying tempo and time signatures (Q264)
- mixolydian (Q265)
- steady beat (Q266)
- minimal instrumentation (Q267)
- mandolin orchestra (Q268)
- psychedelic reverb (Q269)
- ambient (Q27)